![]() ![]() His own compositions and exciting interpretations of Bach, Grieg, The Beatles, … Movie themes and popsongs. Gwen invites three top jazz musicians to work on his repertoire. ‘Dem belgischen Virtuosen Cresens macht das aber nichts aus, ihm gelingt auf beiden Instrumenten ein hervorragender Vortrag - der beim Akkordeon wie beim Bandoneon gleichermassen mit dem meisterhaften Beherrschen des Balges einhergeht.’ With Gwen always with a delicate humoristic touch, in music and verbal elucidation. The melody ‘Plaisir d’Amour’ brought back to its roots as composer Jean-Paul Martini conceived it.Ī landing in melancholy of classical melodies intertwined with jazz, balkan and braziliana, over tango and French valse musette. Rarely performed Piazzolla compositions, movie scores Gwen recorded for soundtracks of the well-known Flemish director Frank Van Passel. This quest is reflected in this solo recital : Grieg’s ‘Anitra’s Dance’ from the Peer Gynt Suite precedes a virtuoso Bach prelude resulting in an improvisation transcending all genre boundaries. ![]() Forty years later Gwen went looking for Bobby and his music. A passion for music, a passion for the instrument. ![]() The little boy’s enchantment became a grown man’s passion. Every day their paths crossed at the Antwerp cathedral, on his way to school. When Gwen was 4 years old, he was enchanted by the mysterious street accordion player Bobby Dasov. The Bobby Dasov Songbook : Gwen’s first solorecital ![]()
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